Behold the drag queen—not only a vibrant cultural icon of today, but also part of a tradition that stretches back centuries. In the age of Shakespeare, when women were not permitted to perform on stage, men played female roles, donning elaborate costumes and makeup. The term “drag” itself is believed to have originated from the heavy gowns worn in theater and at masquerade balls, which literally dragged across the floor. Over time, drag has evolved into a dynamic and multifaceted art form, blending performance, fashion, theater, comedy, and music.

Today, drag queens perform for many reasons: to make powerful political statements about gender and identity, to embody and explore another persona, to entertain audiences with humor and spectacle, and to pursue a livelihood in the creative arts. Drag has become both a form of resistance and a celebration of self-expression, challenging societal norms while cultivating community and joy.

According to the artist, painting this series has been deeply rewarding because of the stimulating, dramatic, and sometimes poignant qualities of the sitters. The theatricality of drag, its bold gestures, expressive costumes, and heightened sense of character have inspired new directions in her work. While her portraits have traditionally focused on the face, the presence and energy of these models have compelled her to expand the canvas to include more of the figure and the surrounding environment, capturing the full artistry of drag.